They say:
Wraith seems to reflect on cultural turbulence and change, with music that mixes elegy with elements of disaster movie and failed futures. Yet as well as chaos there is reflection, stillness and redemption. Teeth of the Sea are now almost veterans of a UK alternative music scene that, over the last couple of years, has delivered some exceptional responses to increasingly disturbed and disturbing times. Albums such as Gazelle Twin’s Pastoral and Gnod’s Just Say No to the Right Wing Capitalist Fascist Industrial Death Machine have set the standards for engaged music. Teeth of the Sea are far from an overtly political band, but how do you retain a sense of purpose without relating your music to your times. How to do this with music that’s largely instrumental? Wraith takes on the challenge with tracks that explore their concerns through titles and illustrative qualities, as soundtracks to events we cannot see, but lurk on the edges of our fears. The vivid, evocative qualities to Teeth Of The Sea’s music makes space for the mind to roam.
See the post here: The Quietus
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