22 Mar 2019
Raven Sings The Blues reviews Paisiel album
Released in short supply as a cassette on Portuguese label Lovers & Lollypops last year, Rocket Recordings is giving new life to the eponymous album by Paisiel, the duo of João Pais Filipe and Julius Gabriel. The album’s three tracks are dark sojourns through psychedelic jazz – wrestling with rhythms and running sax down the skin with the menace of a freshly sharpened knife. The pair coax one another constantly throughout the LP, challenging the other to make a step too far, to pierce the psychedelic barrier and scar the psyche beyond repair. On opener “Satellite” the drums pound in the brain with an anxious insistence – skittering in an endless tumult before the foreboding gnash of gongs makes it clear that something transcendental and otherworldly is afoot.
The space rock shivers continue to torment the onset of “Limousine in the Desert,” bandying echo and dust about in a sandstorm of sound that’s only hushed by a return to the polyrhythmic clatter of drums and the lonesome moan of the sax once again. Moans turn to squeals, squeals to squals as the band pounds out ritualistic furor that catches in the throat. The album is drenched in panic sweat, feeling every bit the soundtrack to imminent danger from all directions – the sky, the earth, the mind. There’s a feeling of ayahuasca and adrenaline in the veins and a teeth-clenched sudden realization that maybe there’s no danger at all. By that time the band rolls into the shortest and surest track in their album’s cycle. The panic calms, the dust clears and the earth crystalizes beneath the feet once again. They let the listener go with a grey trickle of rain that nourishes and numbs the psychic wounds inflicted over the past thirty minutes, but the scars remain.
See the full piece here: RSTB