Tickets: Other Window
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14 Dec 2018
Gnoomes to play Bol Fest
Gnoomes are joining The Good, The Bad & The Queen, Kikagaku Moyo, Algiers and others at next years Bol Fest in Moscow on 5-7 July
More information here: BolFest
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Teeth of the Sea new track 'Hiraeth' picks up some fans
We recently revealed the a new song by Teeth of the Sea called 'Hiraeth' – the track to be taken from their forthcoming album 'WRAITH', which is released on 26 February.
The track received a lot of love from many people and publications, including the following:
Clash
Line of the Best Fit
The Quietus
Prog
'WRAITH' can be preorder on ltd edition fluro vinyl, housed in a gatefold/spot varnished sleeve here: Bandcamp
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12 Dec 2018
Teeth of the Sea reveal new album 'WRAITH' with their track 'Hiraeth'
We are totally thrilled to share with you the brand new Teeth of the Sea track 'Hiraeth' –
the first track to be revealed from their forthcoming album WRAITH. The album will be released on the 22nd February and you can listen to the amazing 'Hiraeth' above.
‘Hiraeth’ - its title deriving from a Welsh word meaning a longing for home - may be the most richly cinematic track the band has ever created. Building from a bleak and beatific Morricone-esque soundscape haunted by melancholic brass, it builds to a furious and dramatic crescendo underpinned by a merciless electronic pulse and dub-tinged disorientation alike.
You can stream the track here: Wraith
Or buy form here: Bandcamp
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Who can say when, or how, the Wraiths began to make their presence felt. Yet when Teeth Of The Sea entered their base of operations The Facility to begin work in Autumn 2017 on their fifth album - the follow-up to 2015’s Highly Deadly Black Tarantula - it seemed hard to deny that these ghostly interruptions were at play. By November, all three members were in
agreement that the disturbances were tangible and impossible to ignore.
It wasn’t just the more familiar spectres of the band’s collective and overactive imagination - the unruly morass of ‘80s horror and sci-fi movies, industrial ballast, 2000AD terror, ‘70s-damaged experimental brinksmanship and atmospheric grandeur that they’d somehow conspire to sculpt into coherent structures. For as much as the band were determined to create a vivid and maximalist work that threw all of the wildest imagination into sharp relief, what resulted summarily went beyond anything they could have expected.
Moving down to Soup Studios, located in the liminal zone of East India Dock on the Thames, these spectres contributed to influence a collection of tracks that soon began to represent a fearsome and transporting marriage of the ferocious and the melancholic. Alchemised trash, kitchen-sink surrealism, out-of-order intensity and ritualistic overtones collides and colluded into a monstrous hybrid - this was a world where Tetsuo-The Iron Man would happily share space with Judee Sill, and where the acid guitars of Helios Creed would happily conspire with the Acid Rock of Rhythm Device.
‘Hiraeth’ - its title deriving from a Welsh word meaning a longing for home - may be the most richly cinematic track the band has ever created. Building from a bleak and beatific Morricone-esque soundscape haunted by melancholic brass, it builds to a furious and dramatic crescendo underpinned by a merciless electronic pulse and dub-tinged disorientation alike. ’I’d Rather, Jack’ sees Erol Alkan using all the tools at his Phantasy Sound studio to manifest its strains into an angular banger equal parts mariachi elegy and electro euphoria. Percussionist Valentina Magaletti (Tomaga/Raime/Vanishing Twin) brought her unique talents to the Reichian (Steve/Wilhelm) epiphany of ‘VISITOR’. Chlöe Herington (Chrome Hoof/Knifeworld/Valve) and Katharine Gifford (The Wargs/Snowpony/ Stereolab) were also on board to assist this unholy assemblage of inspiration, irreverence and otherworldly infiltration.
Teeth Of The Sea are frankly none the wiser as to what these disturbances meant and what caused them - a fissure in the astral plane, psychic disturbances brought on by societal collapse, or just a collective hallucination. Whichever, they can’t help but be grateful that these voices and visions made their mark on this record, and can only hope the music has allowed them safe passage to the beyond. Ladies and Gentlemen, pray silence for the Wraith.
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Press Release:
Who can say when, or how, the Wraiths began to make their presence felt. Yet when Teeth Of The Sea entered their base of operations The Facility to begin work in Autumn 2017 on their fifth album - the follow-up to 2015’s Highly Deadly Black Tarantula - it seemed hard to deny that these ghostly interruptions were at play. By November, all three members were in
agreement that the disturbances were tangible and impossible to ignore.
It wasn’t just the more familiar spectres of the band’s collective and overactive imagination - the unruly morass of ‘80s horror and sci-fi movies, industrial ballast, 2000AD terror, ‘70s-damaged experimental brinksmanship and atmospheric grandeur that they’d somehow conspire to sculpt into coherent structures. For as much as the band were determined to create a vivid and maximalist work that threw all of the wildest imagination into sharp relief, what resulted summarily went beyond anything they could have expected.
Moving down to Soup Studios, located in the liminal zone of East India Dock on the Thames, these spectres contributed to influence a collection of tracks that soon began to represent a fearsome and transporting marriage of the ferocious and the melancholic. Alchemised trash, kitchen-sink surrealism, out-of-order intensity and ritualistic overtones collides and colluded into a monstrous hybrid - this was a world where Tetsuo-The Iron Man would happily share space with Judee Sill, and where the acid guitars of Helios Creed would happily conspire with the Acid Rock of Rhythm Device.
‘Hiraeth’ - its title deriving from a Welsh word meaning a longing for home - may be the most richly cinematic track the band has ever created. Building from a bleak and beatific Morricone-esque soundscape haunted by melancholic brass, it builds to a furious and dramatic crescendo underpinned by a merciless electronic pulse and dub-tinged disorientation alike. ’I’d Rather, Jack’ sees Erol Alkan using all the tools at his Phantasy Sound studio to manifest its strains into an angular banger equal parts mariachi elegy and electro euphoria. Percussionist Valentina Magaletti (Tomaga/Raime/Vanishing Twin) brought her unique talents to the Reichian (Steve/Wilhelm) epiphany of ‘VISITOR’. Chlöe Herington (Chrome Hoof/Knifeworld/Valve) and Katharine Gifford (The Wargs/Snowpony/ Stereolab) were also on board to assist this unholy assemblage of inspiration, irreverence and otherworldly infiltration.
Teeth Of The Sea are frankly none the wiser as to what these disturbances meant and what caused them - a fissure in the astral plane, psychic disturbances brought on by societal collapse, or just a collective hallucination. Whichever, they can’t help but be grateful that these voices and visions made their mark on this record, and can only hope the music has allowed them safe passage to the beyond. Ladies and Gentlemen, pray silence for the Wraith.
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The band are celebrating the release of the album with a run of shows:
26 Feb / FRA / Nantes / La Schene Michelet
27 Feb / FRA / Lille / La Malterie
28 Feb / BE / Gent / Charlatan
02 Mar / UK / London / Moth Club
12 April / UK / Todmorden / Golden Lion
13 April / UK / Manchester / Soup Kitchen
26 April / UK / Ramsgate / Ramsgate Music Hall
27 April / UK / Bristol / Rough Trade
26 Feb / FRA / Nantes / La Schene Michelet
27 Feb / FRA / Lille / La Malterie
28 Feb / BE / Gent / Charlatan
02 Mar / UK / London / Moth Club
12 April / UK / Todmorden / Golden Lion
13 April / UK / Manchester / Soup Kitchen
26 April / UK / Ramsgate / Ramsgate Music Hall
27 April / UK / Bristol / Rough Trade
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You can preorder WRAITH both on LP & CD, the vinyl is a Fluro Green edition housed in a gatefold/varnished sleeve: Teeth of the Sea
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11 Dec 2018
5 Rocket albums in Get into This's Albums of the Year
Chuffed to see these 5 Rocket albums in Get into This's Albums of the Year:
29. MIEN: MIEN
35. Pigs Pigs Pigs Pigs Pigs Pigs Pigs: King of Cowards
39. Mamuthones: Fear On The Corner
62. Anthroprophh: Omegaville
82. Bonnacons of Doom: Bonnacons of Doom
See what they say about each release and the full list here: GIT
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