21 Feb 2019

Drowned in Sound reviews Teeth of the Sea's WRAITH

They say:

Wraith is the fifth album from Teeth of the Sea, the gene-bending London outfit that – to focus on film soundtrack references – have been blending the widescreen grandiosity of Ennio Morricone with the punishing giallo-prog of Goblin and the cosmic synth wizardry of Tangerine Dream for over a decade now. As such touchstones may suggest, Teeth of the Sea’s music is, like that of all the best contemporary ‘psychedelic’ bands, a glorious collage of styles and approaches. Techno, noise, metal, prog, and jazz all battle for the most prominent position, resulting in music that is pleasingly un-self-conscious in its freewheeling commitment to maintaining its own identity at the expense of easy categorisation.

Such an attitude is applaudable, but in hindsight there were perhaps signs on 2015’s Highly Deadly Black Tarantula that it had its limitations. Did a pair of brilliant (but rather jarring) power electronics diversions – replete with vocal shrieks from now former drummer Mat Colegate – really belong on the same album as the electronic-tinged post-rock of ‘Love Theme from 1984’? After all, if the record before that – 2013’s Master (their finest work) – had proved anything it was that Teeth of the Sea’s many influences could slug it out most effectively when placed in cohesive sonic context. There’s a lot to be said for eclecticism, but there’s even more to be said for bringing eclectic themes together into a convincingly focused whole with a shared sonic template... 8/10

Read the rest here: DIS