9 May 2019
Raven Sings the Blues reviews Josefin Öhrn + The Liberation's Sacred Dreams
On their third album Josefin Öhrn + The Liberation embrace wider scope of psychedelia, pushing their lush sound into swirls of hypnotic repetition, languid guitar bliss, silken slow jams, lock-top blues grooves, and a psych-pop shimmer. Having relocated from Stockholm to London, Öhrn and her writing partner in the band Fredrik have teamed up with a cadre of locals to fill out the sound and the new direction is even more polished than their previous incarnation. There’s still a haze hanging over them, but now they’ve added a certain color-saturated oblivion that occasionally feels more comfortable on a towering club sound system than it would from the stage. While this tangent starts out with a pocket full of of Moon Duo, Spacemen 3 galactic dust, they push much further into festival fodder than occasionally benefits their sound. This shift is most readily apparent on “I Can Feel It” and “Desire,” which might have worked better as a 12” pairing, chafing slightly, but still manage to hang on without completely pushing the record off the rails.
Thankfully they pull back the throttle and suck a little serotonin out of the room for cuts that are more about floating in the ether than about transcendence through dance. The sustained tones and spiritual lilt to “Only Lovers” is right out of the Spiritualized playbook and Öhrn pulls off the J Spaceman gravitas with grace. They follow that with another groover that’s a touch more lysergic than your average big budget blues workout, finding room to choogle through the cosmos on “Baby Come On.” Öhrn’s ability to hang her voice on the air like cloud cover is one of her greatest assets and she drapes the dew over much of the second half of the album. She slides out of the euphoric mania of the beginning of the LP for an extended comedown that’s gorgeous, lush, and radiating a shimmer that’s become their signature sound...
See the review here: Raven Sings the Blue