It reads:
Salfordian psychedelic noise rockers GNOD have been around for 15 years now. They have built up a loyal following across a discography that comprises 14 or so albums and numerous collaborations with artists like João Pais Filipe, BNSU, and Godflesh’s Justin Broadrick, acquiring a reputation for providing a formidable, unpredictable, and inimitable live experience in the process. ‘La Mort Du Sens’ is their first non-collaborative studio album since ‘Chapel Perilous’ (2018), and one of the best albums they have released to date.
I promised myself I wouldn’t fill this review up with superlatives, but it will be difficult since this is some of the best music I’ve heard by anyone in quite some time. Over the course of five songs and just over half an hour, GNOD demonstrate on ‘La Mort Du Sens’ that they have lost none of their talent for knowing when to keep things tight and when to loosen things up. Indeed, in terms of their body of work, this album may well ultimately stand up as the one on which they perfected the art of deploying these two opposing disciplines...
Read the rest here: Backseat Mafia
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