5 Mar 2015

Vice sing the praises of the new Shit & Shine and Gnod albums

54 Synth-Brass, 38 Metal Guitar, 65 Cathedral
The disconnect between $hit & $hine live and on record used to be stark. On paper they were simply one of the best live bands out there, while their records often fell under "easy to admire." Things changed after a series of releases on Diagonal, and now that they're with the hub of Brit psych, Rocket Recordings, things have gotten even better. This is the album Craig Clouse always threatened to give us, smashing together Brain Ticket–style Krautrock, Basic Channel techno, Rembrant Pussyhorse–era Butthole Surfers malevolence, Godflesh-strong industrial metal, and Black Ark dub. Don't get me wrong, it's fucking horrible—but that's what you were holding out for, right?

Infinity Machines
After the heaviness of the Chaudelande anthology and a whole bunch of EPs, the world's finest psychedelic exploratory unit is back with a new studio album, and naturally it's a triple. The first third crawls past in a haze of Throbbing Gristle improv electronics, portentous spoken word, mid-90s post-acid ambience, and dubbed-out free skronk. The pulsating jewel in the crown that acts as a prism to be placed directly in front of your third eye as you stare directly at the sun is undoubtedly the colossal "White Privileged Wank," a juddering, overdriven acid dictator of a track that eventually collapses under the weight of its own awesomeness. 

See the reviews in the flesh here: Vice

Image by Mark Lovejoy