28 Jun 2021

Backseat Mafia reviews The Holy Family


They say:

MASTERFUL psychedelic imprint Rocket Recordings has added another string to its bow with the signing of the hallucinatory collective The Holy Family, whose first album arrives this Friday. And a hell of a trip it is, too, roaming freely across modern electronica and the oldest, earthiest folk, the most dronesome of motorik and the molten mantle of acid rock.

The band is the feverish brainchild of David J. Smith, otherwise of Guapo and Miasma & the Carousel of Headless Horses, and thus a name well appreciated by voyagers out into more esoteric sonic landscapes.

The Holy Family, the album of the same name, presents as a 13-track, double-album explosion through worlds of psychedelia, pastoral psych-folk, kosmiche and more, ever-shifting, ever-seductive.

“I guess if I had to try to put it into words, it’s my attempt at a musical interpretation of a very trippy and psychedelic murder mystery tale, or otherworldly dream/hallucination,” reflects David.

For the band as a whole, aesthetic inspiration comes from the magical realism of Angela Carter – whose 1991 documentary The Holy Family Album christened the new project – and the surrealist art of Dorothea Tanning. Both point at a dark and spectral brew of mushroomy excellence; a burrow into a deeper folklore of the land that still whispers its name if you listen deeply enough...

Read the rest here: Backseat Mafia

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