25 Nov 2013
Ltd edition Goat posters available at sold out Koko show in London
Poster artist Adam Pobiak has done it again and created a beautiful poster for Goat's forthcoming London show at Koko.
Adam also did a poster for Goat's last London show at Electric Ballroom that quickly sold out (see here), so this is a nice companion piece.
There will be only 35 for sale on the night, however Adam will be selling some from his own site after the the show has happened.
You can purchase after 2nd December from: Adam Pobiak also visit Adam Pobiak Facebook.
It was announced today that the Koko show has sold out so it looks like it is going to be another Goat show not to forget!!
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Anthroprophh features in Norman Records Top 50 2013
The fine people at Norman Records have selected Anthroprophh debt album released at the beginning of the year to be in their Top 50 of 2013, the record features at number 25.
This is what the shop staff had to say about the record at the time:
I know from our sales figures that a lot of you are already pretty into cult UK psych titans The Heads, so you probably don’t need me to tell you that Anthroprophh is the alter-ego of their visionary songwriter and axe-mangler Paul Allen, who here dishes out six lengthy tracks of krautrock-infused psychedelia which ranges from hard-riffing psych fuzz to burbling ritualistic mysticism like a trippy modern take on the Hawkwind and Can traditions which seem to be all the rage at the moment.
In fact the out-there twiddlings on ‘Precession’ very much remind me of Michael Karoli, before things head in a bit of Popol Vuh direction and things get real trippy, continuing the synth ritual feel into the second side with ‘Ende’ and ‘Entropy’ also both heading deep into this hypno-synth-raga psych choogle wilderness to intoxicating effect, sometimes heading into krautrock steeped in the free-bong landscapes of Expo 70 and Sun Araw and striped with neon guitar shapes. Then things go a bit spacekraut again on the closer ‘We’ which is like Sylvester Anfang II gently covering ‘Black To Comm’ by the MC5 in an opium den. What are you waiting for? It’s time to smoke up and drift away.
See Norman Records complete Top 50 list here Normans
Watch out for Anthroprophh’s 2nd album in the pipeline for 2014 where he will be joined by the guys from the Big Naturals. Expect a lot of Fuzz and Wah attack set to stun!
19 Nov 2013
Goat Live Ballroom Ritual – first review
Backseat Mafia have reviewed the our Goat Live Ballroom Ritual album that is released on 2nd December:
"Goat were one of the biggest “breakthrough acts” of 2012. Their album ‘World Music’ was met to critical acclaim and the mysterious Swedish group quickly gathered a cult following. They played two sets at Glastonbury, which quickly became accepted as surprise highlights of the weekend. Rumours flew around the blogosphere; their live show is some sort of ritual, all of the band members wear pagan masks, joss sticks are burnt, there may or may not be a live sacrifice. The only definite is that Goat’s live show is some sort of spectacle. So a live album would make sense. Wouldn’t it?
The live album is an add concept. On the one hand, it’s a sure-fire way to capture a band’s energy and chemistry. When a band plays live, they really up their game, knowing that there is a crowd of devoted fans eagerly waiting to be blown away. Thus, recording a live album is surely the only way to capture a band at their best.
That said, there is something about witnessing a band create music that just cannot be captured on record. Being in the same room as the artist and watching the piece of art come to life is magical; it can act as a “way in” to new music, or open up new levels of understanding and appreciation of the music. It is why, for instance, that in an age where you can download almost any album for next to nothing, people continue to pay to go and see their favourite musicians.
It is for this reason that I was sceptical of a live Goat record. I loved their album when it was released, and saw them perform at Supersonic Festival shortly afterwards. The show was brilliant – fun, intense, compelling and freaky. Dancers, lasers, elaborate costumes and burning incenses were surely what made the performance so spectacular! Clearly, these are all things impossible to capture on a live album, so surely the record would not work as anything more than a money-spinner.
True, the costumes, lights, and other visual feats did add a lot of fun to the performance, but the real excitement was the music. The band transformed their album for the live environment; locking into extended instrumental sections, screaming vocals, satanic tabla beats and guitar wig-outs. Energy was turned up way past eleven. It is this aspect of the performance that is captured on ‘Live Ballroom Ritual’…."
Read the rest of the review here: Backseat Mafia
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Loop return
Under the name of Soundheads, Loop returned to the stage after a 23 year absence and it was great to see them back!!
The importance of Loop on the influence on Rocket has been a constant thread since our inception.
So, if you get a chance to see them do, as by all accounts it will be a short lived reunion.
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18 Nov 2013
NME stream Goat's 'Live Ballroom Ritual' album in full
Can't wait two weeks until the Goat Live Ballroom Ritual LP is out?
Well NME are exclusively streaming the whole album for the next two weeks here: NME
Let us know what you think?
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Teeth of the Sea live remix of A field in England – a review
Teeth of the Sea performed their live soundtrack to the great Ben Wheatly film A Field in England at Cork Film Festival on Saturday…We are Noise have written the following review:
"...There was a brief interval as London psych group Teeth of the Sea rearranged the stage for A Field in England: Remixed. My advance understanding of this show was that it would consist of a live original soundtrack played to reworked sections of A Field in England, Ben Wheatley’s English Civil War film released this year.
Philip Ilson came back on to make fresh introductions for this specially commissioned work and to explain the extent of the permissions underpinning the project, which extended to financiers Film 4, director Wheatley and the film’s original composer Jim Williams, who was in attendance among the packed house.
And so, there were on stage… a trumpet, a bow playing something indeterminate which was laid flat, an electric guitar and a couple of tabletops’ worth of effects. As our cast of ill-fated deserters arrived on the screen, the band created a slow build with extremes – these were ear-piercing high frequencies contrasted with a shuddering bass end that seemed about to levitate the entire audience. Very soon, it began to feel like a church in Cork remixed.
The arresting black and white photography presented many memorable images – wind blowing through long grass, close ups of helmeted faces approaching a mushroom circle at ground level, a caterpillar trudging along a twig silhouetted by the sun – meanwhile there was plaintiff trumpet and a lovely swirling wash of guitar chords…"
Read the rest of the review here: We are Noise
Photo courtesy of Mark Graham
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Louder than War review 'Crystallized – Celebrating 15 Years of Rocket Recordings'
Brett Savage from Louder than War (and Dead Sea Apes I might add) have written a humbling review of our forthcoming 15th Anniversary compilation album:
Various Artists – Crystallized (Rocket Recordings)
"Louder Than War’s Brett Savage reviews arguably the years most essential compilation album, 12 tracks that give you “a glimpse into the past, present and future of one of the UK’s most vital labels”, Rocket Recordings, home, amongst others, of the phenomenal Goat.
Many people bemoan the death of the independent spirit. The very term ‘indie’ is in itself a contested space. Does ‘indie’ even mean independent any more? Many ‘indie labels’ are in fact sponsored clearing houses created by major labels to capitalise on a bit of ‘cool’. All independent scenes are a case of necessity being the mother of invention, as the more maverick musical spirits realised that major labels didn’t see them as a great investment.
Nowadays, the term ‘indie’ pretty much applies to bands slightly left of the AOR spectrum. Has that independent impulse been destroyed by the co-opting of the aesthetic by the majors? Well, no. If anything, there has been a flowering of young labels making their way to the surface in recent times and true to form, it has been those independent entities releasing the most vital music.
Bristol based Rocket Recordings have been toiling away at the coalface of the independent scene for the last 15 years. Although their output can largely be described as ‘psychedelic’, they are not restrained by the traditional definition of the term. Rocket do not deal with tedious revivalist 60s wannabes whose parodical approach to music is a depressing equivalent to Civil War Recreationist Societies (replacing their pikes with Vox Teardrop guitars), rather they have kept their eyes focused sharply on the forward thinking, the innovative and the noisy. They have unerring musical instincts and have an enviable back catalogue which includes releases by their hometown heroes and subsequent ‘cult’ – The Heads. In recent times they have released three indisputable classics: Drop Out by Gnod & White Hills, Your Mercury by Teeth Of The Sea and perhaps the most exciting album of last year – World Music by Goat.
Crystallized represents the jewels in the label’s crown and also gives space to bands that are in line with Rocket’s musical vision…"
Read the rest of the review here: Louder than War
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Hills to play rare shows
The great HILLS have announced a rare show in Denmark on 13 December and in Sweden the day after.
We are hoping to get the band over to the UK next year for at least one show to coincide with their new album which they are currently locked away making.
Our reissue of their album MASTER SLEEPS is still available from the Rocket Shop: Bandcamp
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15 Nov 2013
"Rocket Spacerock Classics" special offer
As xmas is approaching we have got a ltd special offer for three classic Rocket CD's at a seasonal discounted price.
You get:
Gnod – Dropout with the White Hills II CD
White Hills - Heads on Fire CD
Gnod - Chaudelande CD
For only: £17.99
You can buy here: Rocket Bandcamp
BUT REMEMBER:
"Rocket is for life, not just for Christmas"
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Thought Forms release Landing video
Thought Forms - Landing from Thought Forms on Vimeo.
Friends of Rocket Thought Forms have just released this self made video for the track 'Landing' one of the great tracks off their Invada Records LP Ghost Mountain that came out earlier in the year.
Love the Tuba's!!
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Friends of Rocket Thought Forms have just released this self made video for the track 'Landing' one of the great tracks off their Invada Records LP Ghost Mountain that came out earlier in the year.
Love the Tuba's!!
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