They say:
Teeth of the Sea, meanwhile, prove a big draw in Phase One. It’s not hard to see why.
Having released Wraith earlier this year through Rocket Recordings (label founder Chris Reeder spins records later on) the band have now amassed a serious arsenal of heavyweight tracks.
It’s intriguing to see how they pull off such dense, meticulous and wide-ranging sonics now that they operate as a trio – that they do it so well is quite the achievement. Songs bristle with grizzly electronics, thumping percussion and Jimmy Martin‘s killer riffs.
They’re cinematic but also a juggernaut of grooves which finds the dancefloor filling with a serious amount of heads bobbing to their widescreen death disco.
They close with their trademark death disco Responder – all 15 minutes of relentless, strident power closing with Sam Barton’s wall of trumpet squalls. It’s triumphant.
With the midnight hour passed fellow Rocket label heads Gum Takes Tooth hit the Phase One stage with a brutal assault of rhythmic punishment.
Relentless hardly covers it, and it’s exactly the kind of music fit to finish off the night – hyper-kinetic thuds and blinding electronic dissonance...
Read the rest here: GIT
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