It reads:
Kuro’s earthy drone of violin, electric cello, electronics and a pile of effects boxes turned out to be an unexpected treat. Agathe Max’s violin and Gareth Turner’s electric cello laid down atmospheric and cinematic loops that suggested North African drone music washed down with intense crescendos and bursts of feedback. Drawn from their recently released self-titled debut album, it was a set that defied easy pigeonholing but had a sizeable crowd enthralled with its psychedelic ambience and shamanic sonic landscapes.
Read the full review here: The Arts Desk
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