28 Nov 2021

Backseat Mafia reviews Pigs Pigs Pigs Pigs Pigs Pigs Pigs live in Manchester


It says:

If you’ve ever wondered, and to be fair it’s extremely unlikely, what Harry Enfield’s 80’s creation, Stavros, would look like fronting a doom metal band, then look no further than Pigsx7. Lead singer, Matthew Baty, resplendent in a t-shirt proclaiming, “Find What Feels Good” and a very natty pair of “pig-dragon” shorts, prowls the stage of the Albert Hall barefoot menacingly. Part Idle, part Begbie, this is a man who means business. The bare chested hardcore Rollins look has been replaced with a moustache and longer hair. Lockdown can do strange things to a person.

He points to the enormous banner, with the word Pigs dripping in blood and tells us how happy that gigs are back and the chance to unfurl it in public after so long. It dominates the stage and there can’t be many venues around at their current level, big enough to display it.

This is my first Pigs live experience, and they don’t disappoint. With their 3rd and most recent album, Viscerals, already nearly 18 months old, tonight’s set is pretty much split evenly with it and King Of Cowards, with just Sweet Relief putting in an appearance from their 2017 debut, Feed The Rats. To be fair it’s the only track that fits with the current set, clocking in at a miserly 4 and half minutes, compared to the 15 minute slogs of the rest of the album...

Read the rest here: Backseat Mafia

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The Arts Desk reviews Pigs Pigs Pigs Pigs Pigs Pigs Pigs live in Birmingham


It says:

When those cold winter nights start closing in, there is really only two choices for facing up to the unpleasantness that this brings. Stay at home, batten down the hatches, whack up the heating and blow the expense. Or go out and immerse yourself in some hot and sweaty rock’n’roll.

Clearly, the majority of us at theartsdesk.com favour the second option. So, when the raucous Pigsx7 finally made it to Birmingham to support their Viscerals album of 18 months ago, there really was no choice about what to do.

It may have been cold and wet outside, but Pigsx7 weren’t going to be guided by that with their stage wear. Striding on in front of the audience looking somewhat pasty in shorts and t-shirts – except for ever-cool guitarist Adam Sykes, who looked particularly dapper, dressed in black – they soon got into the swing of things by launching into the artillery barrage of the speedy “Reducer” with a retina-burning explosion of lights where previously there had just been a fug of dry ice. From there, they took the thumping “Rubbernecker” and “Halloween Bolson” from their new album and pulverised them, while bouncing around like Geordie goblins.

“It’s always special to play Birmingham” announced singer Matt Baty to much hilarity, “As that’s where our musical fathers come from – UB40”. It was almost as if this was a signal for the audience to liven up, as next tune, the foot-stomping “Sweet Relief” saw the mosh pit erupt in no uncertain terms. Bodies slammed into each other, beer was spilled, and an almost constant flow of bodies began crowd-surfing towards the stage...

Read the rest here:  The Arts Desk

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26 Nov 2021

Petbrick to play Bangface 2022


Petbrick playing the infamous Bangface Festival on 5-9 May at Southport Holiday Park.

Info and tickets can be found here: Bangface

And don't forget Petbrick are playing The Electrowerkz in London on 15 December, tickets can be bought here: Baba Yaga's Hut

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23 Nov 2021

Bonnacons of Doom to play Arc Tangent Festival


Following last weekends performance at Brave Exhibitions, we are pleased to announce that Bonnacons of Doom will now be playing next years Arc Tangent Festival.

Tickets and info here: Arc Tangent

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The Sleeping Shamen reviews Nova Express's 'Twenty One'


It reads:

Although Twenty One is a reissue of Nova Express’ 2001 album One, I listened to it for the first time to write this review. I wanted to get that right out there – this is a review from fresh ears. The album has been remastered and re-sequenced, but I have no comparison to comment on that latter element of this reissue.

The press release states that Torbjörn Abelli stated in 2001 that ‘this album will mature and be perfect twenty years from now.’ The startling discovery of my three listens of Twenty One is that I came away with the same impression listening to it only now. Nova Express have now joined the ranks in my knowledge base of other influential bands of their age (Can and Soft Machine came immediately to mind) whose presence still resonates in current bands like Radiohead, Ulver or Unreqvited.

Fredhäll starts off this version with a drone that continues throughout, slowly followed by piano and other keyboards joining in, creating layers of pastoral sound. This slow, deliberate song seems the perfect opener, in my experience, of the album.

Wave To Each Other, again begins with a drone, but soon drums and bass enter in a faster tempo than the previous track. At the two and half minute mark, the first vocals appear but are not prominent, and soon saxophone lines add some jazz flavor. Trees, Grass And Stonehenge, the shortest track, has the same feel as the previous track but the jazz is trippier, like Miles Davis’ Bitches Brew era, or early Weather Report...

Read the full piece here: The Sleeping Shamen

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22 Nov 2021

The Yorkshire Post reviews Teeth of the Sea / The Utopia Strong show at The Crescent


It reads:

Let us address the green baize elephant in the room first. Seated stage left, benevolently presiding over a burbling modular synth that resembles an analogue telephone switchboard crossed with the flight deck of a UFO, that is indeed 1980s snooker legend Steve Davis.

Davis is also a long-standing champion of obscure and experimental music, and his years as a DJ and radio presenter have now led him to make his own psychedelic electronic sounds as The Utopia Strong, in collaboration with his multi-instrumentalist friends Kavus Torabi and Michael York, veterans of a raft of cult bands including Gong, Coil and Current 93.

Here in a double header with Rocket Recordings labelmates Teeth Of The Sea, the band’s very decent debut album becomes just a jumping-off point for tonight’s improvisation-led live set. The opening drones mutate sedately into the rhythmic pulse of a dystopian sci-fi soundtrack, before entering lush, woozy territory led by York’s explorations on woodwinds and Torabi’s vocal loops and reverbed guitar. The rhythms build gradually as these amiable cosmic voyagers crank up the interstellar overdrive pedals and set the controls for the hearts of an appreciative audience.

By contrast, Teeth Of The Sea take no prisoners, bringing the volume and intensity right from the start in a set that could easily command a festival crowd, never mind a quiet Sunday evening in York. Against pulsing back projections and slamming drum machine beats, the three musicians shift seamlessly between banks of technology and live instruments. On latest album Wraith, doomy brass parts set a pensive mood, but live, the echoing trumpet spars with fuzz bass and shredding space-metal guitar as the band laugh in the face of genre. From Scorn-like slow crushing beats to the psychedelic reels of the Chemical Brothers in their prime, Teeth Of The Sea live are a force to be reckoned with.

Read the rest here: Yorkshire Post

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18 Nov 2021

White Rabbit & Rocket Recordings Christmas Party announced


We have teamed up with the great publishers White Rabbit for a joint Christmas party at The Social on 11th December, details are:

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White Rabbit and co-pilots Rocket Recordings present:
A VERY HEAVY CHRISTMAS PARTY

– Harry Sword on the Drone and Sonic Oblivion
– Richard Norris (performance)
– Steve Davis and Kavus Torabi interviewed by Jennifer Lucy Allan
– GNOD (full band, live set)
– Steve Davis, Kavus Torabi DJ set till Late

December 11th
The Social, 5 Little Portland Street, London W1W 7JD

Doors: 7pm
Tickets: £12 from here: The Social

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If you have been to the Social you know how small it is.
There are only 100 tickets gonna be available so be quick if you want to join us!

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