Rocket Probes – January 2019 playlist

Teeth of the Sea – I'd Rather, Jack
(Erol Alken produced stomper) 

Josefin Öhrn + The Liberation – Desire
(Great first track to be revealed from their forthcoming album Sacred Dreams) 
Josefin Öhrn + The Liberation

Gum Takes Tooth – Fights Physiology (Nene H Remix)
(Killer remix of the third single from Gum Takes Tooth's album 'Arrow')
Gum Takes Tooth

GNOD R&D – Vol.3
(Great double LP of GNOD in research and development mode)
GNOD

Jamie Paton – Disk Memories
(New 12 by Rocket collaborator on Hoga Nord)
Jamie Paton 

KIKOK – Pehl
(Love the afro techno drive on this track off new album by Gnoomes drummer)
KIKOK

DEAFKIDS – Metaprogramação
(New track from new album!)
DEAFKIDS

Stefan Blöser – Voyager One
(A 70s journey into space)
Stefan Blöser

Section 25 – Dirty Disco
(Fuzzy post punk)
Section 25

USA/Mexico – Matamoros
(Filth)
USA/Mexico 

Black Tempest – Psyberspace
(Varied album of sounds from Black Tempest...mix of transportive, synth & guitarscapes to kraut grooves)
Black Tempest 

Taiconderoga ‎– Speakin' My Mind
(Great slice of German Freakbeat)
Taiconderoga

Bill Callahan – AMERICA
(The mighty Bill Callahan in repetitive mode!)
Bill Callahan

Mario Migliadi – MATALO!
(Fuzzy Italian soundtrack groove)
Mario Migliadi

Pseudocode – The Brightness of Love and Illusion
(Great droning repetition from '82)
Pseudocode

Kraut – Marimba
(Tribal House with a bit of a MKWAJU ensemble vibe)
Kraut

Swoosh – Nice Things
('Free Rock' wah-jams from Berlin
Swoosh

Joe McPhee – Nation Time
(What time is it?)
Joe McPhee

Gong – A sprinkling of Clouds
(Kosmiche jazz)
Gong

Black to Comm – Fly on you
(Mike from Teeth of The sea brought this banger to our attention)
Black to Comm

Oh Sees - Animated Violence
(Get into the groove!)
Oh Sees

Watery Love – Face The Door
("I'm talking about a full on motherfucking Revolution")
Watery Love 

Sagitta – Gama
(Spaced out)
Sagitta

Nurse with Wound – The Self Sufficient Sexual Shoe
(Dark kosmiche)
Nurse with Wound

Housewives – SmttnKttns
(Nice new Housewives)
Housewives 

Mighty Lord Deathman – An Inhabitant Of Karkoza
(New album by of banging 'psyched' machine beats from MLD)
Mighty Lord Deathman 

Scorpions - Sails Of Charon

(Groove!)

Scorpions

Yerba Mansa – 'Untitled' LP
(Nice psyched-out sounds from Manchester...reminds in places of Moon Unit)
Yerba Mansa

My Disco – Rival Colour
(Great new track from one of our fave Australian bands)
My Disco

Sepultura – The Roadrunner albums boxset
(A great way to shake off those January blues...thanks Igor!)
Sepultura

Listen to our 'updated monthly' Rocket Probes Spotfiy playlist here:


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Pigs Pigs Pigs Pigs Pigs Pigs Pigs to play End of the Road

Happy to announce that Pigs Pigs Pigs Pigs Pigs Pigs Pigs are playing one of our fave UK festivals. They are playing End of the Road on 29 Aug – 1 Sep.

Tickets and info can be found here: EotR

The full list of shows now reads:

FEBRUARY
03 / UK / Sheffield / Record Junkie *SOLD OUT* 

MARCH
27 / UK / Leeds / Brudenell *SOLD OUT*
28 / UK / Bristol / The Exchange *SOLD OUT*
29 / UK / Birmingham / Hare & Hounds *SOLD OUT*
30 / UK / Cardiff / Clwb Ifor Bach *SOLD OUT*

APRIL
03 / UK / Manchester / Rebellion
04 / UK / London / Scala *SOLD OUT*
05 / UK / Brighton / The Haunt* SOLD OUT*
06 / UK / Bedford / Esquires
08 / UK / Norwich / Waterfront
09 / UK / Cambridge/ Portland Arms *SOLD OUT*
10 / UK / Oxford / The Bullingdon Arms 
11 / UK / Nottingham / Rock City *SOLD OUT*
12 / UK / Leicester / The Cookie *SOLD OUT*
13 / UK / Preston / Guild Hall
14 / UK / Chester / The Live Rooms
16 / UK / Glasgow / King Tut's
17 / UK / Edinburgh / Mash House
19 / UK / Gateshead / Sage

AUGUST
15 - 18 / UK / Brecon Beacons / Green Man Festival
29 - 01 SEP / UK / Larmer Tree Gardens / End of the Road Festival

For more info vistit Facebook: EOTRFestival


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Raw Power adds more bands to line-up

Baba Yaga's Hut have add more bands to join GNOD at this years Raw Power Festival.

The EX, JK Flesh, Pat Chimp, Skullflower, My Disco, Mai Mai Mai, CZN, ILL, Messange etc etc all playing!

Get your tickets here: BYH

GNOD and GNOD R&D have several shows lined-up for 2019:

GNOD R&D
14 Feb / Phipps Hall / Huddersfield
16 Feb / Unclouded Festival, EKKO / Utrecht
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GNOD
21 Feb / The Peer Hat / Manchester
22 Feb / Trades Club / Hebden Bridge
24-26 May / Raw Power Festival / London
06 July / Astral Festival / Bristol
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And you can still buy Ltd colour vinyl versions of these recent GNOD albums from the Rocket shop:

Aquarian Downer (with White Hills) Buy
Chapel Perilous Buy
Just Say No... Buy

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Teeth of the Sea announce Paris show

Teeth of the Sea are returning to Paris to play Supersonic on 25 Feb.

Info and tickets here: Supersonic

Their list of dates now read:

23 Feb / FR / Rouen / le 3 Pièces
24 Feb / FR / Liège / Le Garage
25 Feb / FR / Paris / Supersonic
26 Feb / FR / Nantes / La Schene Michelet
27 Feb / FR / Lille / La Malterie
28 Feb / BE / Gent / Charlatan
01 Mar / UK / Leicester / Soundhouse
02 Mar / UK / London / Moth Club
12 Apr / UK / Todmorden / Golden Lion
13 Apr / UK / Manchester / Soup Kitchen
26 Apr / UK / Ramsgate / Ramsgate Music Hall
27 Apr / UK / Bristol / Rough Trade
26 May / UK / Cardiff / Cardiff Psych & Noise Fest

+ more tbc

Preorder their forthcoming album WRAITH here: Bandcamp

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Psych Insight reviews Arrow by Gum Takes Tooth

They say:

I spend an inordinate about of time wondering “how the fuck did we get here?” It’s a sign of the climate that we are living in that this, like the start of this sentence as well, has become something of a cliché. Things seem to have become so fucked up that we even seem to be taking plausible threats to our power, food and constitutional security as if they were some sort of dystopian parallel universe that has no bearing on our actual existence… a virtual paradigm shift that we hope will never happen.

Ignore the evidence… fuck the experts… project fact is project fear… fake news is that which we don’t want to hear…

The past… the fucking past… a beautiful time of hardship… a time for heroes… help those heroes… the memory of those heroes… times were simpler and happier then… we had nothing but we had each other…

The past… the fucking past… a beautiful time of hardship… dull vinyl roofs on brown cars… everything’s gone beige… three day week… candles to barely light the darkness… rubbish piling up in the streets… we had nothing but we had each other…

Read the full review here: Psych Insight

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Nothing But Hope and Passion makes Josefin Öhrn + The Liberation's 'Desire' their Tune of the Day

They say:


Josefin Öhrn + The Liberation – ‘Desire’
Here’s one from the category ‘Great artists we almost forgot about’. Well, after all it’s been almost four years since Swedish psychedelic pop artist Joesfin Öhrn released her really great debut album Horse Dance. Since then Josefin and her writing partner Fredrik have relocated from Stockholm to London and have created a new Liberation around them, making the whole Josefin Öhrn + The Liberation an actual band in 2019. Their third LP Sacred Dreams arrives on April 26 via Rocket Recordings and judging from its first single Desire the Swedish still got all the fine qualities we’ve come to love in the firts place. While being a bit more electronic Desire still got all the nocturnal energy that easily hypnotizes the listener. And according to Öhrn the record is fueled by such a vibe. ‘This album comes out of a period of heartbreak, loss and dissolution, but also of deep love, warmth and beauty unveiled in the middle of it,’ she explains and you can definitely count us in for that all time.

See the full piece here: NBHAP

Preorder Sacred Dreams on ltd vinyl here: Bandcamp

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Pigs Pigs Pigs Pigs Pigs Pigs Pigs – Feed the Rats repress

We have repressed Pigs Pigs Pigs Pigs Pigs Pigs Pigs debut album Feed the Rats on Transparent Ice Blue vinyl. 

It is available in all good record shops or direct from us here: Bandcamp

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Gum Takes Tooth's 'Arrow' in The Quietus's New Weird Britain monthly round-up

They say:

...This brings me to Arrow, the third album by Gum Takes Tooth and their first for Rocket Records. Other statistics and superlatives: their first release since 2014’s Mirrors Fold; by no means compact at 54 minutes, with several tracks tickling or surpassing the seven-minute mark; the most dance-oriented, intense offering yet by this London-based duo of Jussi Brightmore and Tom Fugelsang, and their most satisfying. The beats are played live, courtesy of Fugelsang, and as much as he’s a fine and groove-beholden batteur you’d never mistake his contribution for that of a machine. You can dance to it, though, as surely as you can mentally climb inside Brightmore’s synth lines and wallow blissfully.

A tasty acid house roll takes charge on ‘No Walls, No Air’, abetted towards its close by some Drew McDowall-ish drone work. ‘Borrowed Lies’ is an eight-minute percussion-powered glitter-rave-rock stomp with industrial-pop synths and choral vocals. ‘Fights Physiology’ reveals me as a misinfo-ing bullshitter, in that the drums sound very much programmed, although I’m pretty sure the human element is just a sampled snare hit or two amidst a minimal synth-meets-Detroit electro frother.

There’s lots more: passages of wormy ambience and doomy rock riffs except made without guitars and mushroom-flavoured shoegazey gauze. Fleeting moments, such as on the closing ‘House Built Of Fire’, remind me of the Super Furry Animals’ most electronic moments (‘Run! Christian Run!’, say), which I mean as a compliment. By and large, Gum Takes Tooth do not write pop songs, or indeed rock ones, and I doubt (m)any of Arrow’s component parts will end up in club-bound DJ sets. But people will cut a rug to them this year and maybe you will join them.

See the full piece here: The Quietus

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Pigs Pigs Pigs Pigs Pigs Pigs Pigs play Green Man Festival

Happy to announce that Pigs Pigs Pigs Pigs Pigs Pigs Pigs are to play this years Green Man Festival in August.

Tickets/info: Green Man

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Fighting Boredom reviews Gum Takes Tooth – Arrow

They say:

Fighting Boredom watched Gum Takes Tooth perform at last years Supersonic Festival, they were great. The London based duo describe themselves as ‘a unique unclassifiable fury that flirts with both speaker-ripping psych-rock pyrotechnics and synapse-shredding acid house’. Read what we thought about their new album below.

The air’s vibrating, it’s the volume you need to have to experience this album to it’s full potential. The glass in the windows is shaking and there is dust floating down from the lampshades. It’s giving me a feeling of dislocation and tripping out. The record does not fit into any categories, it’s apart, out on the edge and making you try and catch your breath. It’s not fast, not overpowering, it just takes over and makes your brain concentrate on the music and sound coming from the speakers.

There are electronics. trippy and weird vocals, oddly synced moments and spiraling psychedelia. There is a feeling of being lost in a huge dense wood. Lost alone and unable to concentrate on what you should. There’s moments when you feel like you’re falling from above the clouds and then massive electronic wasps buzzing in your brain. It’s a mad dash across the edges of noise and will totally absorb you while you are inside.


So lie back, switch it on and tune in to Gum Takes Tooth, Fighting Boredom will see you on the other side...

See the full piece here: Fighting Boredom

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Sound of Brit reviews Gum Takes Tooth's 'Arrow'

They say:

The London duo of acid house Gum Takes Tooth delivers a third opus in the air of the time, so much that it can quickly be lost in its own wandering

Five years from scratch, since the last sign of life of  Gum Takes Tooth . Since then, many things have evolved on Earth - badly as well as well - and the group is certainly one of the spokespersons of our new generation. Driven by technological facilities, electronic assistance and artificial evidence, our society knows the limits of its creations and is even more aware of its humanity.

Jussi Brighmore and his sidekick and drummer Tom Fug also understood. Formed since 2009, the duo from London has shaped their music according to events, by maneuvering audacious discs because they are constantly experimental. Never to excess. Or almost ... The twenty-first century is a treat for Gum Takes Tooth, who extends his electronic fantasies in coveted countries, to a crisis of bulimia. Reunited at home in Wayne Adams' studio , the band recorded an amazing and crazy album. This third album - the first at Rocket Recordings - entitled Arrow , is as old as it is polluted by its subject: modernity, urbanism...

Read the rest here: Sound of Brit

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Gigslutz reviews Gum Takes Tooth Album Launch

They say:

Amidst the smoke and flickering coloured lights of London’s Electrowerkz, Gum Takes Tooth performed a mesmerising set for their album launch on Friday night. Booked by Baba Yaga’s Hut and supported by Nik Void, the duo celebrated the release of their new record Arrow with a blistering gig full of visceral electronic noise.

Formed of Jussi Brightmore and drummer Tom Fug, Gum Takes Tooth formed in 2009 and have since crafted four albums worth of genre-bending noise. Arrow is their latest venture, and it’s just as striking as their previous releases. With their unusual time signatures and precise, hard-hitting drums it’s hard to determine what direction a Gum Takes Tooth track will take, and that’s what makes their live set so intriguing.

Their synth textures, warped vocals and relentless beats shift between pulverizing and hypnotizing. Their sounds cultivate both the urge to dance and the desire to recoil in dread; a unique combination that keeps their crowd hooked. There are moments of applause between tracks, and as drummer Tom steps away from his kit for the last few tracks to manipulate drum pads, the live dynamic shifts once more.

What shines through Gum Takes Tooth’s performance is the duo’s love for what they have created. Their focus whilst on stage feels unshakable, and their concentration is rewarded with rapturous applause at the end of their set. Fans of obscure but infectious electronic sounds will definitely approve...

Read the full review here: Gigslutz

Photo by Rich Ellis

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Listen to KURO Live session on Resonance FM

Before KURO demolished OSLO at Label Mates Festival, the duo popped into the great Hello Goodbye show on Resonance FM to record a special session and you can listen to it in full here: Resonance

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Album a Day reviews Gum Takes Tooth's Arrow

They say:

“Basically, becoming a dad in these times, thinking of the present and the future that it’s aiming to construct, has brought all these up, intensely magnified and amplified.” Jussi Brighmore (half of the duo behind Gum Takes Tooth) commenting on how this album was made.

Hot damn! Now that’s some good shit!

It’s fucking big. It’s expansive. It’s walking out of a tent made of animal skin dressed in Viking gear and a robotic eye and, after a deep introspective pause (breathe in, breathe out, breathe in, breathe out), screaming out of your ripped and scarred vocal folds into an expansive rocky mountain range. It’s intellectual warfare. It’s anger. It’s families splitting apart because of opposing political views. It’s being pissed off with how the world has turned out. It’s the disappointment that comes when realizing humanity isn’t all that great. It’s that silent fear and panic we hold in your chest when we read the latest fuckup in fucksville. It’s looking at your kid and thinking, “good fucking luck”. It’s claustrophobic. It’s angry. It’s pent-up rage. It’s expressive. It’s Tom Fug and Jussi Brighmore making some badass tunes out of electronics and drums. And, hot damn, is it ever fucking good...

Read the rest here: Album a Day

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Stereo Sanctity say some words about Anthroprophh's Omegaville

It reads:

In the course of trying to process the rage, confusion and futility hard-wired into every second of ‘Omegaville’, I’m inclined to bypass the album’s ostensible near-future timeframe and instead take a step back into the past, reflecting on the wider possibilities for life that you, I and (presumably) Heads guitarist and Anthroprophh main man Paul Allen have all seen forcibly torn away from us over the past fifteen or twenty years.

Readers old enough to remember for themselves may wish to join me on the journey, thinking back to days of waking up safe and sound in yr little basement flat, walls painted whatever colour you like and the landlord won’t complain so long as you keep the bathroom and kitchen working and don’t bother him too often. Spend the morning tinkering with effects pedals or doing some drawings, have a smoke or two. Mooch down to the library and put in some obscure stock requests, see if you can get hold of those weird German records your drummer’s always going on about. Do a few shifts in your mate’s shop every week to pay the rent, safe in the knowledge you can pop back down to the Job Centre and start filling in forms if things get hairy...

Read the rest of the great review here: Stereo Sanctity

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MOWNO say some words about Gum Takes Tooth's 'Arrow'

They say:

More and more dubbed by the followers of marginal rock and experimental, the English of  Gum Takes Tooth  continue their dazzling polyrhythmic ascent on January 25, on the occasion of the release of their third album  The Arrow. Inspired by their city of London, inhabited by the certainty that to live in the city becomes more and more a constant battle against space and time, the duo signs a new album intense and visceral, although melancholic and elegiac, that we can discover below in full. As usual since 2009, Jussi Brighmore and Tom Fug are distinguished by the treatment of their voices, but especially their unique approach of triggering electronic elements through percussion, all dedicated to a singular register oscillating between rock psyche , indus, experimental and acid house. 'The Arrow is so named because it flies in a straight line or in an arc, but never repeats itself or goes back ': a metaphor appropriate for Gum Takes Tooth themselves.

See the full piece here: MOWNO

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The Quietus reviews Gum Takes Tooth's 'Arrow'

They say:

Gum Takes Tooth delve into the manifold horrors and confusions of 2019 London and find just enough euphoria and hope to keep you dancing

The name of duo Jussi Brightmore and Tom Fug’s band already evokes the eviscerating horror of everyday human existence. Gum Takes Tooth have spent a decade chiselling noise that folds and crashes in on itself, a hot wire to the blood. Having been part of nihilistic shapeshifters Shit & Shine, Gum Takes Tooth make a similar move away from the kinetic freneticism of live thrashing-and-bashing into a more synthetic version of their unhuman reality. But Arrow also has a sharpened focus: a coruscating chimera prowling the brutalities of London, shouting into the void.


This isn’t an easy listen, or at times even an enjoyable one – Arrow grabs you by the back of the neck and proceeds to electrocute you from inside out, hissing “do you see?” in your ear every 30 seconds. From the artificial heartbeat and shattered, sinuous vocals of opener ‘Chrome Cold Hearts’ to the outer-space metallic maelstrom of ‘House Built On Fire’, Gum Takes Tooth make sure that this is not escapism, but a shackling to the Hellmouth that we have all helped to create...

Read the full review here: The Quietus

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Gum Takes Tooth's 'Arrow' is released today

Today see the release of Gum Takes Tooth's new album 'Arrow'

"A totally modern sound with a vintage sense of disconnectedness from anything else." The Wire
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"Their most emphatic statement to date." Loud and Quiet
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"The desolation party 2019 deserves." Buzz
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"Groove-laden menace seamlessly weaving electronic blasts with organic bluster." The Quietus
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"Album of the week." Normans Records

Forging their own distinct geometric trajectory through their two previously released albums, Gum Takes Tooth have mapped out a landscape in which the influences of Coil, Warp Records, The Knife and Lightning Bolt were alchemically transformed into an innovative and pulverising onslaught which can be heard with greatest effect on this new album 'Arrow' which is released today in all good record shops.

The band have  several shows coming up including a massive album launch party at the Electrowerkz tonight with guests Nick Void, Sex Swing, Cold Nose and Michael, plus DJ's from Tomaga, Teeth of the Sea, Flowers Must Die, Luminous Bodies and Rocket:

The full list of shows are:

25 Jan / The Electrowerks / London / UK (Album launch party)
01 Feb / Ramsgate Music Hall / Ramsgate / UK    
02 Feb / Hatch / Sheffield / UK        
14 Feb / Drop Dead Twice / Dublin  / IR
15 Feb / The Roundy / Cork / IR
16 Feb / Star & Garter / Manchester / UK    
06 Mar / L’Aeronef / Lille / FR 
07 Mar / Badaboum / Paris / FR   
08 Mar / Le Temps Machine / Tours / FR   
09 Mar / Transfer Festival @ Transbordeur / Lyon / FR

The album is available on 2 x red/grey vinyl  and CD , buy here: Bandcamp

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Listen to Josefin Öhrn + The Liberation new single 'Desire'

Listen to Josefin Öhrn + The Liberation new single 'Desire' above – it's the first track to be lifted from forthcoming album 'Sacred Dreams'

'Sacred Dreams' is available in several different formats. You can preorder the special 'Yellow & Black Colour In Colour' vinyl direct from the Rocket Shop here: Bandcamp

There is also a ltd 'Indie Exclusive 'Blue/Black Swirl' version, and a ltd 'Orange' vinyl version, both will be available from your local record shop.

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Continuing to dive into the deeper waters of experimentation, ‘Sacred Dreams’ is both a musically hefty amalgamation of reverb drenched space-rock and retro centric electronics, as well as an emotionally cathartic release for the band, marking a new direction and fresh approach.

Since their critically acclaimed album 'Mirage' was released, Josefin and writing partner Fredrik have relocated from Stockholm to London and have created a new Liberation around them - this new band consists of the powerful and intuitive assemblage of musicians; Maki (Go Team), Patrick C Smith (Eskimo Chain), Matt Loft (Lola Colt) and Ben Ellis, who’s worked with both Iggy Pop and Swervedriver. ‘Sacred Dreams’ was largely recorded at Press Play Studios (King Krule, Fat White Family, Yves Tumor, Stereolab, High Llamas and many others) run by Andy Ramsay of Stereolab, who also produced and even programmed his non synced drum machines adding a lot of inspiration to the album.

See Josefin Öhrn + The Liberation playing tracks from 'Sacred Dreams' at these following shows:

23 Feb / Brighton / Mutations Festival
23 Apr / Oxford / The Bullingdon
24 Apr / Leeds / The Brudenell Social Club
25 Apr / Manchester / The Deaf Institute
26 Apr / London / Islington Assembly Hall
27 Apr / Bristol / Thekla
30 Apr / Birmingham / Hare & Hounds
01 May / Liverpool / Jacaranda
02 May / Glasgow / Stereo
03 May / Newcastle / The Cluny
05 May / Leicester / Handmade Festival

Tickets for all shows are on sale now from here: See tickets

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Supports for Teeth of the Sea album launch announced

Teeth of the Sea have revealed a very special line-up for their WRAITH album launch at the Moth Club, they are to be joined by:

Petbrick
The killer new duo that features Igor Cavalera from Sepultura/Mix Hell and Wayne Adams from Big Lad

V Ä L V Ē
Amazing band that features Teeth of the Sea collaborator and Knife World/Chrome Hoofer Chloe Herrington

And we have a special DJ set by the duo of Steve Davis and Kavus Torabi.

What a line-up!!

Tickets available here: Baba Yagas Hut

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The Quietus reveal the first track from forthcoming Josefin Öhrn + The Liberation album 'Sacred Dreams'

London-based psychedelic stalwarts Josefin Öhrn + The Liberation are proud to reveal their third album 'Sacred Dreams' which is released on 26 April. 

Listen to the first track to be revealed, via The Quietus here: The Quietus

Continuing to dive into the deeper waters of experimentation, ‘Sacred Dreams’ is both a musically hefty amalgamation of reverb drenched space-rock and retro centric electronics, as well as an emotionally cathartic release for the band, marking a new direction and fresh approach.

Since their critically acclaimed album 'Mirage' was released, Josefin and writing partner Fredrik have relocated from Stockholm to London and have created a new Liberation around them - this new band consists of the powerful and intuitive assemblage of musicians; Maki (Go Team), Patrick C Smith (Eskimo Chain), Matt Loft (Lola Colt) and Ben Ellis, who’s worked with both Iggy Pop and Swervedriver. ‘Sacred Dreams’ was largely recorded at Press Play Studios (King Krule, Fat White Family, Yves Tumor, Stereolab, High Llamas and many others) run by Andy Ramsay of Stereolab, who also produced and even programmed his non synced drum machines adding a lot of inspiration to the album.

'Sacred Dreams' is available in several different formats. You can preorder the special 'Yellow & Black Colour In Colour' vinyl direct from the Rocket Shop here: Bandcamp

There is also a ltd 'Indie Exclusive 'Blue/Black Swirl' version, and a ltd 'Orange' vinyl version, both will be available from your local record shop.

See Josefin Öhrn + The Liberation playing tracks from 'Sacred Dreams' at these following shows:

23 Feb / Brighton / Mutations Festival
23 Apr / Oxford / The Bullingdon
24 Apr / Leeds / The Brudenell Social Club
25 Apr / Manchester / The Deaf Institute
26 Apr / London / Islington Assembly Hall
27 Apr / Bristol / Thekla
30 Apr / Birmingham / Hare & Hounds
01 May / Liverpool / Jacaranda
02 May / Glasgow / Stereo
03 May / Newcastle / The Cluny
05 May / Leicester / Handmade Festival

Tickets for all shows are on sale now from here: See tickets


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Gum Takes Tooth 'Arrow' Tour

Gum Takes Tooth start their 'Arrow' tour this week:

JANUARY
24 / Soundhouse / Leicester / UK Tickets

25 / The Electrowerks / London / UK (Album Launch Party) Tickets

FEBRUARY
01 / Ramsgate Music Hall / Ramsgate / UK Tickets

02 / Hatch / Sheffield / UK Tickets

14 / Drop Dead Twice / Dublin / IR Tickets

15 / The Roundy / Cork / IR Tickets

16 / Star & Garter / Manchester / UK Tickets

MARCH
06 / L’Aeronef / Lille / FR  Tickets

07 / Badaboum / Paris / FR  Tickets

08 / Le Temps Machine / Tours / FR Tickets

09 / Transfer Festival @ Transbordeur / Lyon / FR Tickets

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'Arrow' is released in all good record shops this Friday:

"A totally modern sound with a vintage sense of disconnectedness

from anything else." The Wire

-

"Their most emphatic statement to date." Loud and Quiet

-

"The desolation party 2019 deserves." Buzz

-

"Superior, effective listening." The Quietus

Buy here: Bandcamp

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