10 Apr 2015
The Skinny interviews Gnod
This is a great and revealing read:
From Here To Infinity
Killing off psych rock, Gnod have returned with their boldest statement to date.
The Skinny taps into the infinity machine
FEATURE BY SIMON JAY CATLING.
PUBLISHED 09 APRIL 2015
It would’ve been hard to guess amidst 1000 or so revellers trading off slithers of their cerebrum at the altar of Gnod last September at Liverpool Psych Fest, but on the stage at least, a funeral was taking place. Joined by White Hills’ Dave W on guitar, the Salford collective tore through four cuts from their 2009 collaboration with the LA psych-rockers for what was to be the last time.
“We agreed that this would be the last time we’d do it. It was a lot of fun, really cathartic,” says Paddy Shine, coming to after a late night in Merseyside as part of This Heat drummer Charles Hayward’s Anonymous Bash live band. “But it felt like the end of a chapter for us.”
Along with Gnod co-founder Chris Haslam, we’re in Shine’s living space-cum-workshop for Gnod label Tesla Tapes, deep inside Salford venue and studio space Islington Mill. Records are stacked high behind us, analogue odds and ends scattered around the furniture, while a cat scuttles around the bare pipework; our conversation is punctuated by the hum of a fish tank and the outré jazz entanglements of Rocket Recordings labelmates Shit & Shine’s latest record. The Victorian-era Mill, with its Situationist-inspired aim to create an open-source environment for artists to practice away from conventional spaces, has recently held more influence over Gnod than anything else. “You just become part of the place,” Shine says. “We can invite whoever we want to come and stay, and 90% of the time these people will put some work on here or collaborate with an artist. It’s inspiring.”…
Read the rest of this great interview here: The Skinny