29 Jun 2010
24 Jun 2010
19 Jun 2010
We are proud to announce that the new album Mecanica Celeste by Peruvian Space Rockers Serpentina Satelite will be released on Rocket Recordings on 6 September 2010.
It will be available as a ltd 600 copies vinyl LPs (one hundred on colour vinyl) plus foiled sleeve. The LP will also come with a free download code. The album will also be available to buy on download via iTunes.
2. SANGRE DE GRADO
3. MECANICA CELESTE
4. IMAGINEZ QUEL BONHEUR CE SERA DE VOIR NOS CHERS DISPARUS RESSUSCITÉS!
5. AI APAEC
The press release reads:
Mecanica Celeste is the third official recording by South
American space rockers Serpentina Satelite.
After the success of their last raved about album Nothing
to Say, the band returned to their studio in Peru to record
this more ambitious and accomplished sounding follow-up.
The album recalls all the great psychedelic bands from the
past forty years, from the 70’s bands like Ash Ra Tempel,
Amon Düül II and Hawkwind; through to 80’s bands like
Monster Magnet (particularly TAB era) and Loop and
todays contemporary cosmic warlords like Eternal Tapestry,
White Hills and Magic Lantern.
Mecanica Celeste is a conceptually unique take on
psychedelia, conceived by manipulating traditional religious
songs, text ideology and poetry with heavy fuzz guitars,
swirling drones, spaced out wah solos, motorik rhythms
and delayed vocals, to create a head melting experience of
an album which climaxes with the proto metal riffs of track
Sendero, giving the band a fresh sounding approach to the
well trod grounds of space rock: Serpentina Satelite tried
to get to heaven but ended up in space!
Since the birth of the band in late 2003, they have honed
their free-fall haze of fuzz and feedback to diverse stages
in the cloudy city of Lima. The band look forward to cross
the Atlantic very soon in order to bring their sun damaged
cosmic psych to the unexpecting European audience.
Here is a taster from the new album:
For more information email: email@example.com
Or visit the bands myspace here.
16 Jun 2010
BLACK TEMPEST - PROXIMA
Apollolaan Recordings APANO31 2010
The world of Head Heritage/Julian Cope has opened many doors for me over the years…for example hooking with Rocket Recordings. Besides that, I’ve had the pleasure of meeting many people that I probably would have not met if it was not for Julian giving White Hills props early on…it just so happens that many of these people make music themselves. One of those people is Stephen Bradbury aka Squid and his utterly fantastic project BLACK TEMPEST.
The latest release under the BLACK TEMPEST moniker is Proxima…a massive work of some truly amazing cosmic music. Flowing naturally like ocean currents, Proxima is seemless and organic. Over 52 minutes, the three tracks that comprise Proxima weave pastoral and heavenly synth washes and sequences with tasteful processed guitar and electronics. The longer the song the more difficult it is to keep a listener captivated…that is not a problem with this album. The different parts in each composition come in and out at exactly the right moment keeping the listener attentive and engulfed in the music from beginning to end. For this Mr. Bradbury should be applauded.
Nothing about this album sounds forced at all. When I listen to this disc, I am taken to a different place each time. It’s the perfect soundtrack for inner peace and understanding.
Proxima was released as a limited edition CD-r of 50 copies on Apollolaan Recordings. At this time it is sold-out but you can still purchase the music digitally directly from the artist for only £3 here, http://blacktempest.bandcamp.com
Stephen tells me the companion to Proxima, titled Ex Proxima, is already finished and in production. I for one look forward to its release!
For more in formation on BLACK TEMPEST go here…
and for information on the other fine releases Apollolaan Recordings has to offer go here… http://www.apollolaan.co.uk
Dave W (White Hills)
14 Jun 2010
QUINCICASM SAYDISC UK LP 1973
Seemingly obscure 73 Brit Jazz lp in a free avant-fusion-prog type vein with no vocals. Don't know if this quintet were from Gloucestershire but Saydisc records are an occasional sighting in the South West charity shops. All but 2 of their releases, as far as know, are local spoken word comedy and observation esp. by the likes of Geoffrey Woodruff, church bell lps or Victorian mechanical music records. The other ‘band’ lp is a folk lp I haven’t heard by ‘Black and White’. It’s usually touted as acid folk but apparently it is quite bland, although I admittedly haven’t heard it but does look like cabaret folk . Who knows, it may be amazing because of this and maybe I will never find out.
Anyway I have affection for Saydisc what with there local roots and that oval label design that reminds me of the now demolished ‘aids recovery’ Lucozade building. It looks like it was created in the 50s and still thought of by Saydisc, as a perfect logo even for something 20 years later like early seventies free jazz prog.
Apparently the recording is taken from a live gig in front of a load of school kids at Dartington Hall and the key man went on to form 'the flying Lizards' who had a hit with Money in the late 70s. Got this info from the highly informative and sometimes infuriatingly opinionated Galactic Ramble book'.
The overall sound is quiet apart from ‘Winds of Change’, a non-whistling, free jazz excursion with electric piano stabs and effective Sabbath-prog bass/electric piano intro and coda from Geddy Lee-a like Malcolm Bennett. Lots of sax blowing followed by flugel horn and nice wah organ. Shame there's no fuzz
Side 1 is taken up by Time & Motion, a band composition which on the whole is very mellow for the first part with just percussion and tends to go from electric-miles type freakouts to very contemplative parts with a wide range of sounds including vibes and flute. All quite free and one of the stronger tracks on the lp.
Side 2 is taken up by 3 tracks written by key man Julian Marshall. Trent Park Song is quite calm and meditative with some Norma Winstone-type scat vocal from Katy Zeserson. In my limited knowledge it reminds of some of Nucleus’ more quiet moments although not as memorable. Its pleasant enough though.
Karen, the last track is a polite instrumental love song of some kind and it’s the weakest track for me. Nice enough but nearly lounge and probably sealed the deal with the Saydisc gang.
Its hard to track down but that’s probably due more to the obscure band name. What or who is Quincicasm?
10 Jun 2010
9 Jun 2010
The Heads - KRT 5-1 (live - Dec 2001)
Searching through my archives recently, I stumbled upon this mighty 'HEADS' monster of a freakout. An epic live recording of KRT originally played for a tribute to Kenneth Anger evening at The Thekla (Bristol) sometime at the end of 2001. I was controlling lights for the whole set and as it progressed I applied the heavy use of (only) strobes.......slow strobes, the ones that really mess with your head, and used for a lenghty time aswell.......so enjoy this journey for now....dark, light, dark, light, dark, light, dark, light, dark, light, dark, light, dark, light, dark, light, dark, light, dark, light, dark, light, dark, light, dark, light, dark, light, dark, light, dark, light..........
7 Jun 2010
30th - Klondyke Bowling Club, Manchester