They say:
It is a difficult task to alter one's musical identity from one record to the next. But still, there are some bands that have been able to achieve such magical results, like the Melvins or the noise powerhouse Wolf Eyes. Teeth of the Sea, the psychedelic, experimental band from London, appear to take a cue from such acts, and throughout their discography they have been able to evolve and mutate. Their works have found them experimenting with straight psychedelic rock motifs, noise elements, jazz, and free improvisational characteristics all the way to electronic and dubstep and a touch of post-rock. This demeanor of not standing is what depicts the core attribute of Teeth of the Sea, their utter unwillingness to be pigeonholed.
In this same manner, the band's new work sees them performing their alchemical experiments in pursuit of another distinct and unique manifestation. In order to achieve that end goal, the band puts together an impressive array of mismatched elements, starting from the electronic and industrial qualities that forge the backbone of Wraith. "I'd Rather, Jack" sees this mechanical motif present itself, creating a colder and more detached foundation. Even further within the electronic groove and theme, the band unleashes "VISITOR", a transcendental electronic track, that unravels the colder industrial touch and immerses the listener into a Vangelis-like mesmerizing trip...
Read the full review here: Pop Matters
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