4 Feb 2019
Aural Aggravation reviews Teeth of the Sea's WRAITH
Evolution – that’s perhaps the only word when considering Teeth Of The Sea. Their career is defined by it.
Their BandCamp biography gives some sense of context: ‘Since their formation in 2006, London-based Teeth Of The Sea have metamorphosized into the most adventurous psychedelic rock outfit in the UK. Taking on board influences like Morricone, Eno, Delia Derbyshire, Goblin, and the Butthole Surfers, they’ve arrived at an incendiary sound that marries the aural enlightenment of an avant-garde sensibility with the reckless abandon of trashy rock & roll.’
It was with Your Mercury that I joined the trip, sold instantly by ‘The Ambassador’ with its overloading noise intro, spiralling into a slow-paced desert rock weird out.
Each release has been different again, and so there’s nothing of that ilk to be found on Wraith, an album that’s slanted more toward the electronic end of the spectrum, although the guitars, while far from prominent, are very much integral to the texture and depth. But this being Teeth of the Sea, it’s a bit of everything all at once, and this is apparent from the very first track: ‘I’d Rather, Jack’ brings a sonorous bass and droning synth together over a thumping industrial disco beat with crashing snare that stutters and glitches all over, before jazz trumpet and a space-rock guitar fire off on different trajectories. It’s rare for such a maelstrom of ideas and forms to whip together into anything other than a horrible mess, but Teeth of the Sea manage to blend the ingredients into something far greater than the sum of the parts, the atmosphere shifting from oppressive to uplifting...
Read the rest here: Aural Aggravation