Supersonic Q&A: TEETH OF THE SEA
From London, Teeth of the Sea play a wild, mixed-up strain of what sounds like semi-improvised jams. Structures are amorphous, reference points are redundant as they switch modes from song-to-song – noise-rock, electronics and dubbed-out trumpet all get a look-in. As DROWNED IN SOUND said in their review of current album ‘Your Mercury’ (Rocket Recordings, 2010), the band create “a steamy, light-starved jungle of tangled electronics and feral distortion occasionally punctuated by startlingly lucid bottom end. For the most part Teeth of the Sea’s second record defies any worries about genre categorisation, a hermetically sealed unit with such a strong sense of self that comparisons to other music seem perverse.”
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